Coverage planning

Planning who films what, and when

Your programme is packed, things overlap, and the crew needs to know what matters most.

Share your date and area, and we will suggest coverage and confirm what is possible.

In short

  • Coverage planning has three parts: time, people and things that happen together.
  • Start with the run sheet, then mark the moments that cannot be repeated.
  • One camera operator cannot be in two places, so overlaps need a choice.
  • A short written brief lets the crew act without asking you during the event.

Good coverage is planned around three things: when moments happen, who is in them, and what happens at the same time. Answer those and the rest of the brief is much easier to write.

The three questions behind every plan

Question What it decides Start with
When? Guest arrival, camera positions, handovers, breaks Planning coverage around the run sheet
Who and what matters? The moments and people the film cannot do without Prioritising moments that cannot be repeated
What happens together? Where one crew cannot cover everything Planning video for simultaneous activities

A short worked example

This is an illustration, not a real event. A company dinner has the guests’ arrival at 7:00 pm, speeches at 8:00 pm and an awards segment at 8:30 pm, while a performance prepares backstage.

The arrival and the awards cannot be repeated, so they come first. The speeches need clear sound from the stage. The backstage rehearsal is a nice-to-have. Written like this, the crew has an order of priority and you have a clear reason for each choice.

Cameras and people are separate decisions

Asking for “three cameras” tells a crew little. What matters is how many views you need at the same moment, and whether each view needs a person. Our guide on cameras and camera operators explains the difference.

Ask us for a multi-camera crew and we confirm it for your date.

Turn the plan into a brief

Once you know the timing, the key moments and the overlaps, write them down in a page the crew can use. Our guide on creating a filming brief a crew can use shows how, and the run-sheet filming planner helps you lay it out.

Where to go next

Start with the run sheet, then mark the moments that cannot be repeated, then the overlaps. The guides below cover specific situations such as VIP arrivals, long programmes and changes on the day.

If you are still deciding what to film, see our event videography service.

If you have a run sheet, even a rough one, send it with the date and venue. We will point out where moments overlap and tell you what we can cover for your event.

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Guides in this topic

Start with these

Creating a filming brief that a crew can use

How to turn a long event programme into a one-page filming brief: priorities, times, places, people and contacts, so a video crew knows what to do on the day.

Read the guide →

Prioritising moments that cannot be repeated

Decide which moments at your event cannot be filmed again, and mark the shot, the sound and the person responsible for each, so the crew puts its effort in the right place.

Read the guide →

More guides on this topic

When the running order changes on the day

Who tells the crew when the programme changes, which changes the crew can absorb and which need a scope decision. Includes launch and wedding examples.

Read the guide →

Useful next steps

Event video planning guides

Plain guides for deciding what event video you need, how to plan coverage, compare quotes and handle permissions. Start with the topic closest to your decision.

Questions people ask

Do we need a run sheet before asking for a quote?
No. A rough list of what happens and roughly when is enough to start. A detailed run sheet helps later, when we plan camera positions and timing. If the programme is still changing, tell us which parts are fixed and which are not.
What counts as a moment that cannot be repeated?
Anything that will not happen again for the camera: a cake cutting, a ribbon cutting, a surprise, a speech by a guest who leaves early. Mark these with the person responsible, so the crew knows where to stand and who to follow.
Is a camera the same as a camera operator?
No. A fixed camera on a tripod records one view without anyone behind it. An operator moves, reacts and chooses shots. Some events need both. Knowing the difference helps you ask for the coverage you actually need instead of a number of cameras.
What if the programme changes on the day?
It often does. Agree beforehand who tells the crew about changes, and which changes are small, such as a late start, and which change what we are filming. Larger changes may need a decision about scope on the day.

Planning an event? Let’s talk it through.

If you have a run sheet, even a rough one, send it with the date and venue. We will point out where moments overlap and tell you what we can cover for your event.

Share your date and area, and we will suggest coverage and confirm what is possible.

WhatsApp us